Adorable Story #50: Consuelo Crespi
The American-born Italian Countess who changed the world of fashion
“Truman Capote’s Black and White Ball was the last of the parties where people weren’t ashamed to be glamorous”
— Consuelo Crespi
Consuelo Pauline O'Brien O'Connor Crespi (May 31, 1928 – October 18, 2010) was an American-born Italian countess who served the world of high fashion as a style-setting model and editor of Vogue America and Vogue Italia. She helped propelling the career of many Italian fashion designers who would later become powerhouses of the fashion world.
Early life
Consuelo Pauline O’Brien O’Connor was born in Larchmont, N.Y., on May 31, 1928, along with her twin sister, Gloria.
Gloria O’Brien O’Connor who would later marry Frank Schiff, an insurance executive, and became Gloria Schiff.
Their father had emigrated from Ireland to the U.S. and had lived the American dream: he started off washing bottles at a mineral water company and ended his career running the company.
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After their parents separated, the girls and their mother moved to Nova Scotia, Canada. Their mother took them to Manhattan in 1943 and the sisters were spotted as potential models by a French photographer: they appeared on the cover of Look Magazine in 1945.
New York
Consuelo was a debutante in 1947, the same year she appeared in a small role in the short-lived Broadway play “Miracle in the Mountains.”
In New York, she met Count Rodolfo (Rudi) Crespi (São Paulo, 1924 – New York, 1985), grandson of wealthy Italian industrialist Count Rodolfo Crespi (1874–1939) and Countess Marina Crespi (née Regoli, 1879–1964), on a blind date at the Colony restaurant (a beehive of socialites and celebrities).
They were married three months later, on January 22, 1948, in a ceremony held at Church of St. Ignatius Loyola on the Upper East Side of Manhattan.
The couple had two children, Brando Crespi and Pilar Crespi.
Aristocratic beauty & popular culture
The American Consuelo O’Connor thus became the Italian Countess Crespi and ended up symbolizing a sort of impossible, aristocratic beauty.
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